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- Post-hardcore E Street Bands.
- Female vocalists who sound like they’re auditioning for a Bond theme until they either swear or reference modern conveniences.
- Theoretical dance-pop vocalists who apparently abstain from not just auto-tune, but second takes.
- Rappers who drop hate speech before I’ve become hooked to their flow, or the beat they’re rapping over.
- Bands that force conversations about how I don’t get what’s so great about Psychocandy anyway.
- Neil Young fans who record their vocals from the bottom of a well.
- Brian Wilson fans who record their vocals from the bottom of a well.
- Dan Fogelberg fans who record their vocals from the bottom of a well.
- Artists who think taping a Ronettes song through a door counts as original material.
- Artists who think taping a Steve Winwood song through a door counts as original material.
- Artists who make me think positively of Steve Winwood.
- Artists who make me wonder if Pitchfork would have given Best Single status to Limahl’s “The Never-Ending Story” if it came out this year.
That last one is absolutely true.
“The Never-Ending Story” was written and produced by the great Giorgio Moroder, although I admit it’s not his finest...
For at least the last six years bands have been saying “more reverb!” to the point where I think all indie rock might be...
the finer things do, in fact, keep shining through.
Anthony, you need to get back in the high life again.
Yeah, I had to furrow my brow through the Fucked Up album yesterday, too. “I kind of like this, and yet I so...
That last one is absolutely true.